Thursday, December 11, 2014

What's in My Name: The Hopes (and Fears of a First Year Teacher

MS.     -- as in a manuscript, a story: the story of my hopes (and fears) as a new teacher.
   I        -- is for the individual attention I fully intend to give you….if the class size is not too big, or the lessons don’t get crammed together because of pep rallies, or any of the other million possible obstacles that might pop up.
   S       -- is for SHAKESPEARE! I love him. I hope you will too. I’m sure I can make you see how amazing he is, but what will I do if you shrewishly hiss at me like Macbeth’s witches?
   E      -- is for Education. Need I say more? I got one so that I can give you one. What’s that you say? We don’t need no education? Really, truly, you do. Believe me (and don’t use Pink Floyd as a guide to life)!
   M     -- is for the many moonlit nights spent marking papers with objectivity. I promise to stay alert, give good feedback, and not fall asleep….until the next day in class when I fall asleep, chin to chest, sitting up at my desk while you point, laugh, and cause havoc.
   I        -- me, my…pronouns: subjective, objective, possessive. I promise to: not treat you like subjects, be objective in my assessments, and share the knowledge I possess, while making your education about you…not I.
   N      -- Never say Never. No is not an option. No one knows how amazing you can be except for yourself…..and hopefully me.
   G      -- Grades. We have to have them. Sometimes, they might not be the greatest, but together, if you want it enough, we can turn any F to a C or C to an A. I’ll try, if you will.
   E      -- is for every moment in the classroom that we can learn from: from ourselves, from each other, from the world around us. Learning can be exciting and engaging if you let it.
   R      -- Ready?! Am I ready? Yesterday I thought I was. Today I’m not so sure….but tomorrow I’m pretty sure I think I’ll be positively ready to teach. Will you be ready for me?

Hello class,

I’m Ms. Iseminger. It’s so nice to meet you. Let’s get started!

Sunday, November 23, 2014

Humor in the Classroom: A Follow Up

Though homework calls my name, I wanted to take a moment to mention what happened with my revelation of last post. I did talk to my CT, and we conversed about humor and other connections between texts as well as where we might see future examples of these connections in our classroom. Unfortunately, I did not get to lead the specific discussion I wanted to (stupid time constraints), but my teacher did address the connections we talked about with the students in the limited time we had. I hope for an opportunity in the coming semester to bring humor back into our discussion of literature. I may try to plan a lesson/writing workshop around this concept, especially as it relates to persuasive writing and creating voice.

I must hasten to the dreaded research project screaming for my attention, but I wish a Happy Thanksgiving to all and enjoyable time with family.

Cheers,
Ms. Iseminger

Friday, November 21, 2014

Three events + zombie dreams + time to stew in my brain = One Awesome Teaching Conclusion!!

It is true that, for class credit this should have been posted last night. I beg forgiveness on the grounds of incomplete muse. It just was not ready. I had thought--good ones, but some nebulous element was still missing (such is the messy art of writing, right). My thoughts needed to stew, overnight, mingling with bizarre dreams of zombie attacks in the classroom, before I could wake up, sit up, and catch that nebulous last idea, pinning it firmly to the specimen board of my sleepy mind before it could flutter away. Eager to share my thought-stew with the world, I intend to, in about 30 minutes, ask my CT if I can lead a class discussion today over humor in literature and life. I am hoping he will say yes when I explain to him, as I will explain to you, the connections I just made and how I think they will benefit my students.

It began with one of three events…..

Event 1: Stephen King
                Stephen King--master of horror, suspense, thrill, and contemplation of the darker side of humanity—is a funny, funny man. When I saw him speak a week ago today, I was impressed with how much humor he brought to even the more serious topics he addressed. At one point he compared himself to a cross between Godzilla and Santa Claus because people frequently approach him with, “Your books scared the  @*^%$ out of me…can I give you a hug?” Until seeing this dark and funny author in person I had not given specific thought to the use of humor in his writing. I am sure on some subconscious level I noted it, but I had not thought specifically of the way King uses humor to take some of the edge away from the disturbing nature of his tales. Very “spoonful-of-sugar-esque” actually. So pin that thought on your brain board and follow me to Event #2.

Event 2: The Boys Next Door
                While my CT was gone to a conference this week, we watched the amazing movie version of The Boys Next Door. While most of the students were glad to fill out a character map to help guide the one-pager they will do next week, one student bluntly asked me why we had to do filler work like movie notes and what did it have to do with her grade anyway. I reminded her of the one-pager next week and she quieted down for the most part, but I started wondering how I could maybe connect this to the other things we had been reading. I did not see any particular themes or character resemblances that struck a chord, so I watched them watching the movie and hoped something might present itself. What impressed the most about these student was their willingness to accept the mentally challenged characters in the movie. One whole table of girls alternately laughed and cried at the antics of Lucien and Arnold and Norman. Well, pretty much everyone laughed at the antics of these lovable characters, but why did that bother me. It seemed almost un-P.C. to encourage a class of freshmen to laugh at the trials, blunders, and rather serious mistakes made by mentally challenged people. I felt uncomfortable; I wonder if my students had this thought and felt uncomfortable. I felt like I was on to something but could not figure out what. Pin that thought—on to Event # 3.

Event 3: The Absolutely True Diary of a Part-Time Indian and my Unit Plan Struggles
           To the point, I am struggling to decide how to break up the reading for the above story in my Unit Plan for my Methods class. I turned to the interwebs for inspiration from those who have gone before and found a plethora of plans, which of course I got distracted by (oh happy fate!). I looked at one plan long and hard, though it did not offer suggestions for breaking up the book; I looked at its essential question about humor’s function in the novel. It noted how Junior (the main character) uses humor to diffuse controversial situations and opinion, thus allowing the reader to traverse those uncertain waters more comfortably and take in what the author is saying rather than rejecting it because of discomfort.

Ding, Ding, Ding! We have a winner!!

          Put all three events together and you have my newly formed of understanding of how to tie The Boys Next Door back to previous material (Diary), while making a fresh connection to both print and non-print texts from Stephen King to stand-up comedians and slam-poets, even to Saturday Night Live commercials (some of which we already watched as a reward day). I am eager to see if I can lead my students into making the same connections I did. I hope I can get them to do the work. I have good questions planned out….now I just have to ask my CT if he will entrust them to me for about 10-15 minutes. Fingers crossed!! Guess I better get going. I’ll post a follow-up on how it went.

Cheers,

Ms. Iseminger

Monday, November 3, 2014

I'm so excited, and I just can't hide it! (or, What I Learned at the KATE Conference)

Speak Louder. Clearer. Slower. Taylor Mali gave this advice to my poetry students at the KATE Conference. It is sound advice for those budding performers. It is also sound advice for every reflective teacher striving to build rapport in the classroom. Such tidbits of wisdom were abundant at this year’s Kansas Association of Teachers of English Conference. Behind the door of every conference room, at the heart of every breakout session lay the collected wisdom of teachers and education students from across the state. Fueled by ideas, passion and the desire to share knowledge these educators brought all their resources to the table to engage and inspire attendees. They succeeded!
                Inspiring is the word I use to describe Annie Flurry’s session on creating spoken word culture in the classroom. While we talk about teaching our students to be more effective in their writing, more vibrant in their descriptions, and more focused on saying what they mean, Flurry takes that focus and translates it into authentic outlets of expression. What better way to connect students to their writing than to give them an audience and purpose…for the students, by the students. Though my school may not have a large creative writing program, many of Flurry’s suggestions can (and quite frankly should) be incorporated in the everyday ELA classroom. By using pre- and post-viewing focus questions for a variety of spoken word performances (many by students themselves), teachers can start discussions on writing elements like allusion, tone, imagery, rhythm and rhyme. The best part of this approach: it is engaging, relatable, moving and even humorous. I can hear my students laughing aloud to some of the poems she showed us. Even better, I honestly believe they will have opinions on
the performances that I can use to sneakily advance my own agenda of stronger writing.
                Many of the sessions I chose to attend centered on utilizing non-print media in the classroom to create deeper, more accessible connections to ELA concepts. Lori Stratton’s workshop, “Musical Links to Critical Thinking,” addressed many of the same writing elements as Flurry’s session, but with a focus on song lyrics and music. Stratton’s attention to theme and allusion were especially useful to me as I find teaching students to tease out themes very difficult. I particularly enjoyed Stratton’s technique of escalating complexity of theme in the music she presents to students. It makes the exercise more like a game and less like, well, and exercise! Though we had little time in the workshop to really explore our thematic ideas, there were many takes on the more complex songs. I can only imagine the argument….er, I mean “lively discussions” my students will have as they try to validate their opinions to their peers in small group discussions. Stratton’s workshop also addressed using music to enhance character analysis by creating “soundtracks” for characters from texts as well as creating soundtracks for entire texts that reflect the change in mood and tone as well as action. I only wish my college English classes offered project options like this. What better way to bring a part of myself into a text than to use the music I listen to as means of explaining my perspective of a text!
                I could seriously write a play-by-play of my entire conference experience (rife with superlatives and exclamation points), but I doubt anyone really want to hear about my Taylor Mali fan-girl moments (like, OMG, he signed my book!) or the tense moments of trying to be lady-like in a dress while crossing a hot-chocolate river on marshmallow plates (actually a fantastic team-building game!). It will suffice to say that KATE fulfilled their mission to offer a chance for teachers  to “Rethink, Reconnect, and Renew” their passion and techniques for teaching. I want to conclude by thanking KATE for the opportunity, the presenters for their eagerness to share everything they have to help better our students’ educational experiences, and…well, Taylor Mali for making me feel like a teenager at a Beatles concert!!
Absolute Aswesomeness!!

Here’s to more KATE Conferences and a Happy Voting Tuesday (and an end to campaign ads),
Sincerely Yours,
Ms. Iseminger


P.S. I also want to thank my English Ed colleagues and Dr. Mason for making this conference a shared experience that I will not forget. 

Friday, October 10, 2014

A Letter of Thanks (Reflections on Classroom Management in a Different Genre)

Dear Josh,
            Hello my friend! I hope all is going well with your new job and your students are behaving themselves. I wanted to drop you a line to say thank you for your advice on classroom management. I just had an experience that brought home what you said about finding rapport with the students. I know you are busy first year teaching, but I have to share this story with you.
            I was in my placement classroom the other day (this is the Freshman Honors English class that I was telling you about) when one of the teachers down the hall, Ms. A, came in over passing period to ask for some help. Her Literacy class was about to start, and she had to get the laptop cart from another floor since her students were typing papers that day. Hurriedly she explained that she needed someone to watch the class after the bell rang—passing period being almost over by this point—until she got back. She looked to my CT who, in turn, looked to me with a grin; “Ms. Krystal would be glad to,” he said, claiming that he had to get the freshmen started on a project right away. Of course I agreed, I mean, what an exciting chance to visit another teacher’s class!
            As I followed Ms. A to her room she explained that the students would come and pick up their drafts and make final changes to them while she got the laptops. She added, slightly hesitantly, that they should be alright for the five minutes she was gone. I grimaced internally, wondering about her moment of hesitation in regard to their behavior. Now I was a little worried. Mind racing, I wondered if this class had behavioral challenges, and if so, would I be up to handling them? I get nervous around a class I don’t know; I’m sure this is natural, but if the students saw my insecurity they might be tempted to behave badly. I was sure that if they could hear how fast my heart was beating and feel how clammy my palms were they would know I was an easy mark. Of course, all this ran through my head in a few seconds, and, as I struggled to master my nerve, I noticed we had reached her door. I strode in behind her, trying to exude confidence and certainty, but I couldn’t help thinking, “What will I do if they refuse to sit down or start getting too loud?” Ms. A snapped me out of my moment of reverie, addressing the class, “Ok guys, this is Ms. Krystal from down the hall. She is going to stay in here while I get the computer cart.” I waved, hoping to seem friendly, but my salutation was received over groans of, “We don’t need no babysitter,” and “Aw man, she treat us like freshmen.”
            Ms. A had already scooted out the door and I knew by the looks on their faces that I only had a moment to prove myself or this could be the longest five minutes ever. Then I remembered our conversation about your first day this year and how you caught your students off guard by talking about music and being your darkly funny, sarcastic self. I turned to one of the groaners with just enough sass to take him by surprise,“If you act like the adult you think you are, I won’t need to babysit you will I?” One of the girls in the back chimed in, “She told you!” I countered her comment, explaining that I was just letting them know what to expect from me and what I expect from them.
 I asked her name and if she would pass out their drafts. She came up, took the papers, and read my name tag. “How do you say your name?” Knowing my last name always befuddles students, I told her, and the rest of the class, they could call me Ms. Krystal. Immediately, another boy, one of the earlier complainers, began asking me questions: “Where you go to school at?” “You studying to be a teacher?” “You like rap music?” I could have been more strict, insisting that they quiet down and look over their drafts, but this seemed to be working. The whole class was paying attention as I answered his rapid fire questions. “WSU (Go Shox)!” I replied. “Yes I’m studying to be a teacher; it’s my senior year… And yes, I like some old school rap like Sugar Hill Gang, and some newer stuff like Outkast, but I’m more into funk, soul, Motown and classic rock.”
After some remarks about Sugar Hill Gang being cool and classic rock not being cool, I got them quieted back down by asking if anyone else had questions. Ms. A could be heard rolling the cart down the hall, so I told the class to hold onto their questions and get out their drafts. A few more groans….but this time, they were not directed towards me. In fact, one girl in the back asked if I would be coming back in tomorrow. I told her no, but that I’d be around if she wanted to talk music, or books. By the time Ms. A made it to the room and thanked me for helping her out, I was more comfortable with those students than I thought possible in that short amount of time.
To make a long story short (too late for that—I know), I think your advice on rapport saved the day. I could have gone in several directions, you know, like those choose-your-own-adventure books, but I feel like I made the right choice. Plus, if I do get to go back, I already have a foundation to build on. Sorry that took a whole page to tell, but I do like to tell stories you know. I’d love to hear some thrilling tales from first-year teacher-dom. Mail me back when you have the chance and have a fabulous rest of your week!
Thankfully yours,
Krystal

P.S. Good luck with conferences! 

Thursday, September 25, 2014

Juniors and motivation....what to do? what to do?

                Apparently I don’t understand juniors. I like them; I have developed as good a rapport with most of them as I have the freshmen I am with, but I don’t understand their motivations. Let me explain the situation. The juniors I help with are in an AVID class. In light of their upcoming PSATs and other eventual standardized testing (which the AVID program puts great import on for both scholarship money and college acceptance), my CT has been giving them vocabulary to learn and then be tested on. These lists are neither super long nor stupefyingly difficult; they are given in connection with worksheets that focus on use in sentences, antonyms, and synonyms. Students are given time in AVID class to do these sheets with a partner, and for the very first test we even did games and class activities with them. Despite every good reason, and every good opportunity, to learn them, the first test was less than impressive.

            In contrast, the Freshman honors class were given the same list of words--the same worksheets, the same class time to work on those sheets (though not the game and activity time)—and produced surprisingly better results. While discussing these results with my CT, several questions came to mind. Did the juniors do worse because they did not see the reason behind the test? After all, they have a more immediately relevant cause to motivate them than the freshmen do. They have also had two more years than the freshmen in the AVID program, which is supposed to teach them better organizational and study skills. Were they rebelling because they felt the vocabulary beneath them? I was totally mystified, so I mentioned these questions to my CT.

            I felt his answer was quite astute. He suggested that the juniors probably did not take the first test seriously because we were tackling a core subject task in a class that the students had comfortably come to assume was neutral and more akin to a study hall, or at least that is what they for some reason magically think once they hit junior year. Though AVID is not a study hall and is structured with activities all its own, I began to notice that the juniors came in expecting to have time to do other work or study for upcoming tests. Conversely, the freshmen took the vocabulary test more seriously because it is an expected part of their English class; it is the upcoming test. Their motivation is the grade (on a side note: the juniors were also being graded on the test, and it weighed heavier on their overall grade because there are less large graded projects in AVID than in an English class, but I do not think they took that seriously either).

            Before the next test, my CT explained to the juniors that these vocabulary tests were not meant to be busy work, but a specific way to prepare them for the rigorous testing they will face on ACT’s and SAT’s. First, he pointed out that most of them struggled on using the vocabulary in sentences. Then he followed by explaining that most standardized tests do not use definition matching, testing instead on the ability to use vocabulary correctly. The next test showed improvement, but not as much as we would like to see. Since then I have been meditating on how to motivate this class to apply themselves to this kind of test prep. Though they improved, they studied grudgingly in class, and, according to several outright admissions, not at all outside of class. I truly believe that Bomer speaks true when he writes that students need to find “ways of becoming involved and invested in literate tasks that are significant to them, not because they were born to love reading and writing but because of the ways the literate activity connects to other things in life that matter to them”(3). This connection leads to the kind of motivation these students need.

            So how do I create this kind of connection for vocabulary, or for test prep in general? It is not the most fascinating subject of study (for most people), but I have to make them want it and I’m not sure how. My instinct is to help them revisit the reasons they are in AVID, the reasons they want to go to college, and their personal goals, then provide them with hard proof of the benefits that testing well can have on their goals. This still is a nebulous idea with little substance and one that I want to look into further. I did some initial searching and found this website http://blog.socrato.com/make-satact-test-prep-fun-%E2%80%93-3-sites-that-can-help/ with links to test prep activities that seem to be at least a little more interesting. I still do not feel that this addresses the meat of the problem. I need to find resources that help me help students make connections that will motivate them. Please, if anyone has ideas, resources, or experiences, I would love to hear them!

Cheers,
Ms. Iseminger

Works Cited

Bomer, Randy. Building Adolescent Literacy in Today’s English Classrooms. Portsmouth: Heineman, 2011. Print

Thursday, September 4, 2014

LIGHTS...CAMERA,...Cher!? Using music, art, film and poetry to connect to students


I love music; I love poetry; I may not understand art, but I enjoy looking at it. Our students—and most of us teachers—are media-based creatures. We enjoy sound effects and pictures with our stories and go crazy when someone creates a new dance we can watch on Youtube and eventually re-create with our friends on the dance floor. Pardon my rambling observations on humanity, but, like a child trying to collect the perfect pebbles for a mosaic, I have been trying to gather and arrange my idea-pebbles concerning writing, music, art, passion and reading.

Cher + The Most Dangerous Game =
"Bang! Bang! He shot me down!"
Let me begin with some personal observations. Apparently even really cheesy music amuses a classroom. My CT, in celebration of short story involving hunting with guns, randomly played a snippet of Cher’s rock-mix version of “My Baby Shot Me Down.” Despite the giggles and cries of “What is that?” the class was jokingly singing along with the next chorus of “Bang, Bang!” Besides creating a new joke amongst this particular class, this music moment created a flow of interest and energy that carried into our discussions of the short story.
            Change setting and move into various college courses I’ve experienced and witness the many class discussions brought on by works of art, photos of architecture, or a piece of poetry read aloud. Though these “media moments,” as I call them in my head, usually have some relation to the day’s topic, I most often remember my sense of refreshment (huzzah! Something new to look at!)and renewal of interest (I wonder how a picture of a log cabin relates to Puritan Print culture?) Even as a college student who accepts that classes may not always be thrilling, I perk up when we begin to make new connections from literature to other media.  

            Last week in my Theory of Composition class we mused on our goals as teachers of writing. I found myself writing passionately about writing passionately. I want my students to want to write, and I firmly believe they will not choose to learn how to write expressively unless they have something to express. This train of thought brought me to the idea that the wider a student’s exposure to the world and all of the glorious forms that Ideas take in it, the more unique their conclusions will be and therefore the more ownership they will take of their ideas and their ability to express their ideas.

            Serendipitously, the assigned chapter for this week came along like a little girl with a basket picking up my swirling ideas and showing me how to fit them together.  Chapter 2 of Noden’s Image Grammar addresses art and film as ways to “expand the artist’s eye” when writing. Specifically, by “recognizing the appeal of media to students, teachers can use art and film as tools” to enrich the writing process and awaken students’ senses (43). One activity suggested by Noden focused directly on writing about artwork while giving students freedom to choose which work of art to write about as well as how to express their ideas “in the genre of their choice” (44)—an approach which one teacher found increased the depth and complexity of detail in her students’ work. I feel such freedom and a little facilitation to allay students’ doubts about “doing it right” would also create that magical sense of idea ownership I want my students to possess.

            So my essential questions for this blog revolve around creative use of media in the classroom. How might I tie various media into my literature lessons and yet keep it relatable and exciting? Will creating idea ownership heighten my students’ desire to write well? How can I incorporate more Cher into the classroom? (just kidding).

            I certainly intend to dig deeper into Noden’s text, but I also want to search the web. I did find one interesting website so far. The National Writing Project website is always a valuable tool, but one particular article by Judith Jester is on my “to read” list. The article is titled “Of Paint and Poetry: Strengthening Literacy Through Art,” and the link is: http://www.nwp.org/cs/public/print/resource/958. Besides finding more articles on how to incorporate media, I would also love any recommendations on student friendly sites for art, poetry (I love Poetry180), or music.

            More than anything, I suppose, I want to make sure that my students connect to what we are learning. However, some gratuitous Cher in the classroom might not go amiss. I wonder how my freshmen would react to a few bars of “Gypsies, Tramps and Thieves?”  I’ll let you know how that turns out in my next post!
Because what is Cher without Sonny?
(I just had to!)

 Cheers,
Ms. Iseminger
 
Resources
Jester, Judith. “Of Paint and Poetry: Strengthening Literacy Through Art.” The Quarterly 25.4 (2003). NWP Online. Web. 4 Septemeber 2014.
Noden, Harry R.. Image Grammar: Teaching Grammar as Part of the Writing Process. Portsmouth: Heineman, 2011. Print

Saturday, August 23, 2014

GOOOOAAAALLLLSSS! (like in soccer..get it!)

               Despite feeling nervous about pre-student and student teaching, I am driven by a sense of excitement and purpose this year. The sheer amount of experience and knowledge I know I will be exposed to astounds me. That is why my first goal for this oh-so-important final year is to become a sponge. I want to absorb, organize and store as much classroom wisdom, pedagogical technique, and content knowledge as my professors, colleagues and CT’s have to offer.
                My second goal begins with a question: what benefit does knowledge & wisdom provide if I lack the ability to process it, relate it, or own it? Thus my second goal is to become a reflective professional who accepts feedback and constructive criticism with grace and seeks out chances to apply information learned.
                My last goal is to have a meaningful experience. I want to develop the kind of rapport with my students that allows teaching and learning to happen without trepidation. I want to work so well with my CT that we offer something dynamic to our students rather than something distracting. I want to feel more comfortable managing a classroom.

                For both myself and my students I want to be the best student and the best teacher that I can be. I want to see my students succeed.

Thursday, August 21, 2014

Test post...and so it begins!

So very excited to test post in my very first blog ever. I hope this blog will become a place of reflection and communication. I welcome any and all comments and thoughts from anyone!
Can't wait to begin!!